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001			4102915551244
003			OSt
005			20190528100135.0
008			141029s2013 bl ||||gr |0|| 0 por d
100	1		_aLIMA, Luciana _949751
245	1	0	_aDa compra de produtos e serviços culturais ao direito de produzir cultura : _banálise de um paradigma emergente
260			_aRio de Janeiro : _bIESP / UERJ, _cAbr./Jun. 2013
520	3		_aCultural activities are normally financed according to two classic paradigms: government funding and market financing. The former consists of direct state action or funding of civil society's cultural practices with state resources; the latter is anchored in the liberal or neoliberal tradition, the most recent expression of which involves the dominant currents of the creative economy. Based on a theoretical review and the analysis of two Brazilian policies – the Cultura Viva or "Living Culture" program and the Law for the Promotion of Theater in the city of São Paulo – we argue that these experiences constitute the genesis of a third paradigm that we identify and develop. This paradigm does not seek to finance cultural products per se, but the cultural production process, and thus aims to establish a social right, namely the right to produce culture.
590			_aISSN 00115258 Versão Impressa
700	1		_949752 _aOrtellado, Pablo
773	0	8	_tDados - Revista de Ciências Sociais _g56, 2, p. 351-382 _dRio de Janeiro : IESP / UERJ, Abr./Jun. 2013 _xISSN 16784538 _w
856	4	2	_uhttp://www.scielo.br/pdf/dados/v56n2/04.pdf _yAcesso
942			_cS
998			_a20141029 _b1555^b _cFabio
999			_aConvertido do Formato PHL _bPHL2MARC21 1.1 _c46254 _d46254
041			_apor